Music Legend Jon Fishman steps up to support Ranked Choice Voting

Phish, RCV Maine, Ranked Choice Voting Maine, Jon Fishman,

Portland, Maine – Rock legend, drummer, lyricist and vocalist Jon Fishman of Phish will hold a meet and greet and help gather signatures for Ranked Choice Voting (RCV) this weekend at Bayside Bowl in Portland. Fishman is taking part in one of the largest signature gathering efforts in Maine’s history with just a few weeks left to collect 61,123 signatures for the People’s veto.

In November of 2016 people voted by an overwhelming majority to implement RCV. In October of 2017 the legislature voted to delay and repeal RCV. The only recourse was the People’s Veto and the signature gathering campaign currently underway.

Fishman said, “When people speak as loudly as they did during the election in 2016 about the importance of their democracy we need to stand up, take notice and do something about it. It is not okay to ignore the will of the people. There was no question I was going to help anyway I could to get these signatures so Maine voters are not ignored. Maine people have said loudly and clearly – they want RCV.”

Campaign Manager Kyle Bailey said, “Jon Fishman joins some 1600 volunteers who have been working around the clock to gather these signatures. We couldn’t have gotten this far without all hands-on deck. His presence speaks to the seriousness of all people wanting a democracy that works.”

Fishman will be at Bayside Bowl in Portland from 3:00 – 6:00 PM on Sunday, January 14, 2018.

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For More information on the People’s Veto: http://www.rcvmaine.com
Contact: Crystal Canney at crystal@knightcanney.com or (207) 615-5968

Statement from the Committee for Ranked Choice Voting regarding, L.D. 1726, An Act to Amend the Laws Governing Elections

Ranked Choice Voting Maine

Our constitutional right to direct democracy is under attack in Maine. This year, our Legislature has overthrown the results of a free and fair election by blocking all four of the November 2016 citizen-approved referenda in one way or another. Now with this latest bill, they are trying to stop the people from exercising our right to petition our government by blocking our access to the polls.

The only bright spot is our constitutionally protected right to the People’s Veto. Right now, in subzero temperatures, thousands of Maine people are working together to gather the 61,123 signatures to stop the legislature’s undemocratic actions.

Campaign Manager Kyle Bailey said, “”The People’s Veto needs all hands on deck. Please join us to send a message and defend our democracy. Every signature counts. Time is running out and we need you.”

The State of Maine is on the cusp of a transformational change in election law but our legislature is doing everything in its power to stop the people from getting the change we voted for. But we are fighting back.

On November 8, 2016, a majority of Maine voters approved Question 5 – a first-in-the-nation law that adopts Ranked Choice Voting (RCV) for the election of U.S. Senators, U.S. Representatives, Governor, State Senators, and State Representatives in both primary and general elections. The initiative became law on January 7, 2017. Question 5 received the second most votes of any citizen referendum in Maine’s history.

Politicians in Augusta have spent the last year actively working to derail the law, delay its implementation and force its repeal. In a Special Session of the Maine State Legislature on October 23, 2017, a law was passed that delays implementation of the law until 2021 and repeals it outright if no Constitutional Amendment is passed through the legislature by 2/3rds vote of both houses and an affirmative vote by the people.

Fortunately, Maine’s Constitution allows its citizens to veto actions of the state legislature that it disagrees with. Knowing this, we filed a People’s Veto referendum that was approved by the Secretary of State at 4:30pm on November 6, 2017. The following day, our volunteers across the state collected more than 33,000 of the required 61,123 signatures required by the Constitution.

If the People’s Veto signature collection is successful, it will force the use of ranked choice voting for the June 2018 primary elections for Governor, State Senate, State Representative, U.S. House and U.S. Senate. And if the People’s Veto campaign is successful at the ballot box in June, it will force the use of ranked choice voting in the November 2018 elections for U.S. House and U.S. Senate.
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For More information on the People’s Veto: http://www.rcvmaine.com

Contact: Crystal Canney at crystal@knightcanney.com or (207) 615-5968

Assessing the First Year of an Unconditional Presidency, moderated by Felicia Knight, President, The Knight Canney Group.

Knight Canney Group President Felicia Knight moderates the 2017 Cohen Lecture. Ambassador Marc Grossman, Secretary Andrew Card, and Secretary William Cohen gave insightful, cogent, and focused assessments of world events through the lens of this "unconventional presidency."

Rage Against the Arts & Humanities…Again.

National Endowment for the Arts, National Endowment for the Humanities, NEA, NEH, Maine Arts Commission, City of Portland Public Art Committee, Creative Portland, Portland Symphony Orchestra, PORT Opera, Portland Stage Company, The Telling Room, Terra Moto Inc., University of Southern Maine

We are living in an age of rage, perpetrated by both ends of the political spectrum, and during which, we are about to launch another battle over the National Endowment for the Arts and the National Endowment for the Humanities. Entrenched interest have trampled upon and fought over these agencies more than The Ardennes.

It’s hard to believe this nation’s cultural agencies were born from a united, bi-partisan vision; established not to solve a problem, but to help us create, expand, and care for our national patrimony. Every time a fortification of bipartisan support is built to ensure their existence, it is breached by those bent on finding a boogeyman, a fundraising mechanism, a wedge issue, or an Internet meme that can rally the crowd.

It’s easy to demonize federal agencies. They’re just more bureaucracy, filled with listless civil servants indifferent to taxpayer need, right? But what if the clichés are wrong? What if the agencies on the chopping block are actually bare bones, efficiently run, professionally staffed sources of transformative and catalytic funding that enhances communities and changes lives?

Here’s another “what if.” What if we stopped disparaging and dismissing public institutions that deserve celebration and investment instead?

For five years I served as Communications Director for the National Endowment for the Arts. Since leaving the NEA I have served on several NEA grant review panels. I chair an organization that receives NEA support. I have intimate, first-hand knowledge of how it works, and here’s what I know:

The federal employees at the NEA come to work every day dedicated to responsibly distributing funding to regional, state, and local arts agencies—the ones that contribute culturally and economically to our communities.

In the last five years, arts organizations in Maine received more than $5.4 million dollars in NEA funding. Arts organizations in Portland received just under a half million dollars. The Maine Arts Commission received more than $3.6 million—funding that was then re-granted to local arts organizations around the state. The catalytic effect of these dollars is indisputable.

Portland Ovations, a stalwart of Maine’s cultural community, and whose board I chair, received $155,000 in NEA funding during the last five years. In that time, Ovations has contributed $12.5 million to the greater Portland economy. That’s just one non-profit arts organization. Other Portland-area entities funded directly by the NEA include:

  • City of Portland Public Art Committee
  • Creative Portland
  • Portland Symphony Orchestra
  • PORT Opera
  • Portland Stage Company
  • The Telling Room
  • Terra Moto Inc.
  • University of Southern Maine

The NEA’s annual appropriation is only .004 percent of the federal budget. Defunding the NEA is not about the money. It’s about the symbolism.

There remains a segment of our citizenry—and political establishment—that is highly skeptical of any pronouncement that issues from the arts community concerning the necessity of public funding for art. It serves no purpose to debate why this is so, to argue over whether this skepticism is at all justifiable. It’s enough to recognize this distrust is out there, and it’s not uncommon for it to be held by people not necessarily ill disposed to the arts. Indeed, they may well be ardent supporters.

Within this segment are two camps, those who object to federal funding for the arts because they believe the non-profit arts should be left to sink or swim in the marketplace, and those who object because they believe that the NEA (and NEH) symbolize the reign of the elites over “the rest of us” at the taxpayer expense of all of us.

To both camps, defunding the NEA “sends a message.” Indeed, it does.

To the former argument, I offer language that Congress included in its “Declaration of Purpose” that accompanied the legislation authorizing the NEA and NEH: “While no government can call a great artist or scholar into existence, it is necessary and appropriate for the federal government to help create and sustain not only a climate encouraging freedom of thought, imagination, and inquiry, but also the material conditions facilitating the release of this creative talent.” Lifting non-profit arts from the market place is about understanding value versus price.

To the latter argument I offer the millions of children across the country and the thousands here in Maine who benefit from NEA supported arts and arts education programs. When Merrill Auditorium is filled with students clutching their free copy of a new book and enjoying their very first live performance at Portland Ovations or who realize they love music when hearing the Portland Symphony; when refugee children record their thoughts in a book at The Telling Room—in short, when lives are transformed by art, there is nothing elitist about it. Funding the NEA may be the most populist thing the federal government does, by making art accessible to all the people.

It’s disheartening to be fighting this battle again, especially when it’s presented as a false choice: pay for infrastructure and defense or pay for art. I worked at the Arts Endowment when a Republican president found a way to do both and enthusiastically signed into law a $21.1 million dollar increase for both the NEA and the NEH.

Despite the current climate in Washington, it’s my hope that Congress resists erroneous symbolism, and instead embraces the transformative power of art and our government’s rightful role in supporting it.

Felicia K. Knight is President of The Knight Canney Group, served as Communications Director for the NEA from 2003 – 2008 under Chairman Dana Gioia, and is President of the board of directors for Portland Ovations.